The equipment I brought along for this expedition-which involved traveling through more than 17 countries-included: Author Justin Lassen using a variety of recording equipment in different settings around the world. Think of the ambient space of places as sonic textures this spatial-audio helps drive the realism (and hyperrealism) of sound design for interactive VR.įigure 1. These atmospheric recordings, impulse responses (reverb), and foley (everyday sound effects) for sound design were all captured in high-resolution audio, specifically for use in VR applications and experiences. I was tasked with capturing the 3D sonic space of jungles, castles, catacombs, caves… all kinds of fascinating and mysterious places around the planet (some of these travel sites are shown in Figure 1).
It's not every day you get to travel all over the world collecting spatial-audio from dozens of countries for VR projects, in much the same way as you might take photos on a vacation. Walkthroughs and procedures are provided, using software examples with MAGIX ACID* Pro 8, MAGIX SOUND FORGE Audio Studio* 12, and Unreal Engine 4. Binaural recording uses two microphones to capture and later recreate a 3D soundscape these field-recording techniques, specifically for use in VR applications and games, are described here-as well as the process of recording, editing, mastering, and creating environmental sound assets for Unreal Engine* 4. This article explains techniques for using advanced audio hardware and virtual reality (VR) microphones to collect real-time binaural audio samples.
0 kommentar(er)
